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Fans fans fans…. we want MORE TREMORS !! S.S.Wilson style and old school filming like the first movie. This digital nonsense is offending us — you know — high falootin’ intellectual types; the upper crust of societal devolution. Clint Eastwood can team up with Burt Gummer and finally eliminate the beasts that threaten mankind once and for all. Title: Extra Pale Riders Usher in Peace on Earth via Worldwide Violence against Stumpy’s Offspring. Thoughts?

Okay, not exactly a question, but we enjoy fans thinking even bigger than we do, especially since we are barred from working on Tremors any more.  Clint Eastwood and Burt Gummer?  Come ON, Universal!

Is it possible that a shrieker or even a group of shriekers didn’t attack Burt [in his truck] and were still out in the middle of nowhere in Mexico. It seems illogical that so many shriekers attacked Burt, especially when there were 3+ at the radio tower when Earl and Grady left it?

We would argue that the distances between these events are not as great as you may be imagining.  Also, shriekers’ constant signalling to each other with heat causes them to act more or less like a pack of wolves, staying relatively close together.  So we feel it’s likely the ones at the radio tower quickly “got word” about the heat of Burt’s truck and joined the attack on him.  And gosh, if any of them had remained hidden somewhere, eventually there would  eventually have been reports of AssBlasters in Mexico!

What steps does Burt take to maintain isolation and privacy? PO box vs mail delivery? Would he have a credit card (has to order stuff for delivery)?

These are important questions for any survivalist with a mistrust of government.  Our feeling is Burt would like a PO Box, but has to settle for mail delivery (at least to Chang’s market) because Perfection itself is so isolated (he’d have to drive the 38 miles to Bixby just to get mail).  By the time of the TV series he has mellowed a bit and probably has a credit card or two.  But it’s also possible he leans on Jodi to order things through her store; and maybe she goes along with it — for a fee.  Win-win.

Obviously, the Tremors franchise has many fans. However, I’ve personally talked with many fans that do not particularly like the fourth film, and it’s common to see it listed as the “worst” in articles that cover the whole series (sometimes even behind the fifth and sixth movies, which is just nonsense). I quite like it, if not necessarily as much as the first three or the series. My thinking is that this perception has more to do with a bias against westerns, as they’re no longer in vogue, as opposed to anything that’s actually deficient about the film on a qualitative level. Here’s the question: what western influence, if any, was there on the first Tremors movie? To my eyes, there are several elements that are similar between it and many classic westerns, but I want to hear what the people behind the film have to say. Thanks!

It’s both a movie review AND a question!  But hey, the internet has unlimited space.  As to the question part, all of us creators of the first Tremors grew up when westerns were very much in vogue.  So at least subconsciously they had influence.  But we’d also spent lots of time wandering around the small towns and ghost towns and abandoned mines of the southwest. It was the people and the look of those modern day Western places that had the most impact on writing and later shooting the film.

When Grady is talking to Earl about the arcade machine at the start of the film, Earl says that someone made a lot of money off it but it wasn’t him. Who made the money off the arcade machine?

Hard working guys like Earl are honest but not clued in to how shrewd business people operate.  After Tremors, graboids were big news, so lots of people were looking for ways to capitalize on that.  Someone came to Earl and offered him a flat fee for selling them the rights to the graboid name.  Thinking it was easy money, and not realizing the potential, he signed and got his check.  Later, he saw graboid arcade machines popping up all over the country and realized, too late, that they were making a fortune and he was stuck with his flat fee.

When Earl reverses the truck down the hill, the exterior shot shows that he’s broken the front axle. In T1, Val revs the truck up and dumps the clutch to break free from the tentacle’s grip, to which Earl responds “You can break an axle like that” … Is Earl ripping the axle off the truck in T2 a nod to T1 or just a coincidence?

I WISH I could say it was a deliberate homage. But in all honesty, it was such a long time between shooting Tremors and writing Tremors 2, I doubt that we even remembered the axle reference.  We just needed a good way to visually show the truck was disabled.

How did the graboid not catch Val and Earl when El Blanco easily caught hiker who was running faster than them?

We think this question refers both to Tremors and the opening of the TV series. There are a couple of ways to answer it. 1) With a movie reality joke: the graboid didn’t catch Val and Earl because they are the STARS!  Or 2) with S. S. Wilson’s penchant for analysis:  El Blanco is unique in the graboid pantheon, and is probably much faster than regular graboids. Furthermore a graboid’s speed of movement is very dependent on the soil it happens to be in.  The unlucky hiker was probably on very loose easy-to-push-through dirt that gave El Blanco the edge in that case.

Why is Walter so greedy?

We don’t actually agree that he’s greedy.  He’s just a smart small town businessman.  He sees opportunity and goes for it.  His opinion would be that if Val and Earl don’t recognize the value of their monster tentacle, he might as well be the one to capitalize on it.

Earl and Grady find Pedro’s remains hanging from the back of his truck cab. How did this happen, especially after we see the truck come to a stop? What happened that we didn’t see?

Our intent was this: Pedro was surrounded by shriekers attracted to his warm engine.  His first natural impulse, to slam on the brakes, let the monsters start swarming aboard his truck.  He climbed out the window into the bed and tried to get as high as he could, up onto the top of the truck’s cab, but by then, so many shriekers had hold of him they ate everything but his arms.

What type of pocket watch does Hiram sell?

Terribly sorry,  but we just don’t remember what it was.  I actually checked with the propmaster for that film, and he  took the time to look through old records and invoices he still had, but couldn’t find the watch. You can be sure he chose a watch that was correct for the late 1800s period of the film, and for Hiram’s upper-crust lifestyle.

Why didn’t you show Buford getting pulled into the graboid instead of the graboid resurfacing [with him in its mouth].

We felt like it was important to try different things with each movie.  We had seen Walter Chang get pulled into a Graboid in Tremors 1.  And we had seen the oil worker swallowed in Tremors 2.  So in Tremors 3 we thought it would be more fun and fresh to have Buford just disappear, then reappear in a graboid’s mouth.  So for a few seconds maybe some viewers are thinking, “What happened?  Where did that guy go?”

How were the “snake” parts of the graboids made? I think I read somewhere a long time back they were pantyhose with “stuff” stuffed in them? (OK, I’m planning to go to a convention cosplaying as Val and a graboid would help sell it…)

We’re probably answering this question too late (we’ve been busy!).  Hope the convention went okay.   The Graboid tentacles were made in a number of ways.  Most were sculpted in clay and then cast in various kinds of rubber, then elaborately painted.  Some had extremely complex mechanical skeletons.  Some were simple hand-puppets.  The reference to panty hose probably refers to the graboid intestines, seen in the movie after the monsters are blown up.  Some “guts” were panty hose filled with things like canned pureed pumpkin, or other things the creature effects people dreamed up.  The Tremors Blu-ray DVD has some very nice behind-the-scenes extras showing most of this.

What ever happened with “Grady and Earl’s Monster World”? I know it was referenced in Tremors 3, but nothing else was ever said about it since.

Hey, it gets hard tying up all these loose ends!  Seriously, though, we feel that Earl and Grady made a go of it (with the money from the Mexican government), and it probably did pretty well for a time, when Shriekers were in the news.  But in the end it was kind of a “niche” destination, like you had a theme park devoted to zebras or platypuses; and Grady and Earl probably moved on to other things.  Hard core Graboid and Shrieker fans were disappointed when it finally closed.

Hello there! I’m looking for information on the whereabouts or existence of the jeep truck used in the original movie. I would very much like to purchase it if possible. Any info would be appreciated thank you

I think we’ve answered this one before, but I know how much people would love to find one of those old military version Jeep Gladiators.  They date from the early 1960s. The two we rented for the first movie were sent back to where ever we rented them from.  The ones we used in Tremors 2 and Tremors 3 were also rentals and were returned.  We have met a few fans who have found and bought them (search the FAQs for one lucky fan’s comment), but the old trucks are just becoming more rare!

In Feeding Frenzy, Burt says El Blanco tried to get over his wall but couldn’t. Given his/her already strange behavior, is it possible Graboids could actually climb over his wall, crawl above ground like an inch worm (hence their nickname: Worms) and still cause him problems? Or is there something about Graboids that actually prevents that from happening?

In Tremors 1 Rhonda points out that Graboids move by pushing with the dozens of spikes on their sides.  Though a Graboid is somewhat flexible, the more spikes that get above ground, the less able it is to move well.  We don’t feel they can “inch worm” along.  If they could, Burt would’ve have built is wall differently!